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Zen Narratives : ウィキペディア英語版 | Zen Narratives
Modern scientific research on the history of Zen discerns three main narratives concerning Zen, its history and its teachings: Traditional Zen Narrative (TZN),〔(Andre van de Braak, ''ZEN SPIRITUALITY IN A SECULAR AGE. Charles Taylor and Zen Buddhism in the West'' )〕 Buddhist Modernism (BM), Historical and Cultural Criticism (HCC).〔 An external narrative is Nondualism, which claims Zen to be a token of a universal nondualist essence of religions. ==Traditional Zen Narrative (TZN)== The Traditional Zen Narrative developed in phases in China during the Tang Dynasty and the beginning of the Song Dynasty, from the 7th to 11th century. It became dominant during the Song Dynasty, when Chán was the dominant form of Buddhism in China, due to support from the Emperial Court. Its main phases were the development of the traditional Chan lineage, culminating in the "Transmission of the Lamp"-genre, the encounter dialogue culminating in the kōan collections,〔 and the "climax-paradigm of the Song period, when Chan became the dominant Buddhist school in China.〔 The Traditional Zen Narrative bases its self-understanding especially on the encounter stories of the well-known teachers of the later Tang-period, such as Mazu Daoyi and Linji Yixuan. This period is seen as the "golden age" of Chan, a "romantic coloring"〔 discarded by McRae:
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